The project is a series of cremation urns, which are capable of storing sound loops in the surface of the object.
By embedding the material with micron size magnetic particles, words, numbers, sounds and even
images can be preserved as invisible patterns of north and south, creating a hidden capsule of information.
As acoustic memories are stored in our brain for much longer then iconic ones and need only 4 seconds
of sound to be triggered, the urn stores short sounds related to the life of the deceased, triggering the
memories of the bereaved person, creating a tangible object of remembrance.
Memories have a tendency of fading away, just as objects might erode or tarnish over time.
Through use, the sound encoded in the particles of iron oxide, slowly disintegrate into dust, distorting the
recorded sound. By limiting the number of times the data can be retrieved, the object becomes more
precious and ought to be used in the times needed the most.
The slow process of fading away of the sound memories, mirrors the process of healing after the loss of a
loved one. The moment when the recording starts to distort, works as an indicator that the grieving
process is coming slowly to an end.
What makes the object special is the memories that make the object come alive.
Each object is personalised with a set of sounds, either recorded by the deceased before death as a
form of will or collected from various sources by the bereaved after the death of a close one.
The form of the object does not reveal the second nature to its function. The user holds the secret to the
object and keeps the reading wand hidden away.
Only when the urn is put in motion with the reading wand positioned in the right place, the hidden story of the object is revealed.
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